Art and Society in the Middle Ages

Art and Society in the Middle Ages

Art and Society in the Middle Ages

In this beautifully written book, George's Duby, one of France's greatest medieval historians, returns to one of the central themes of his work - the relationship between art and society.

The Art of Solidarity in the Middle Ages

The Art of Solidarity in the Middle Ages

The Art of Solidarity in the Middle Ages

Explores the motives and experiences of the medieval men and women who joined together in guilds, family-like societies that affected most aspects of their members' lives

Artists of the Middle Ages

Artists of the Middle Ages

Artists of the Middle Ages

Examines the lives and work of artists from all areas of the medieval art world, including metalwork, scribework, sculpture, architecture, iconography, and art instruction.

The Age of the Cathedrals

The Age of the Cathedrals

The Age of the Cathedrals

Demonstrates how the style and design of medieval architecture reflects the changing political, social, and religious character of the Middle Ages

Studies in the Art and Imagery of the Middle Ages

Studies in the Art and Imagery of the Middle Ages

Studies in the Art and Imagery of the Middle Ages

Professor Marks has been a curator at the British Museum, Keeper of the Burrell Collection, Glasgow, and Director of the Royal Pavilion and Museums in Brighton. Subsequently he held a Personal Chair in the History of Art Department at the University of York, and is now Emeritus Professor; he also currently has an Honorary Professorship in the History of Art at Cambridge University. He has held honorary posts as Vice-President of The Society of Antiquaries of London and International President of the Corpus Vitrearum Medii Aevi project. He has worked on a number of major exhibitions, including Gothic. Art for England 1400–1547 (Victoria & Albert Museum, 2003–4), which he curated.Professor Marks' main interest is the religious imagery of medieval Europe, in all the visual arts. Much of his research has been on English stained glass, and, more recently, on the function and reception of devotional images. His works here include Stained Glass in England during the Middle Ages (1993), The Medieval Stained Glass of Northamptonshire (1998), The Golden Age of English Manuscript Painting 1200–1500 (1981) and Image and Devotion in Late Medieval England (2004). This volume brings together thirty-one of Professor Marks' studies, encompassing historiography, stained glass, manuscript illumination, screen and wall painting, sculpture and funerary monuments.

Social History of Art Volume 1

Social History of Art  Volume 1

Social History of Art Volume 1

First published in 1951 Arnold Hausers commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. Exploring the interaction between art and society, Hauser effectively details social and historical movements and sketches the frameworks in which visual art is produced. This new edition provides an excellent introduction to the work of Arnold Hauser. In his general introduction to The Social History of Art, Jonathan Harris asseses the importance of the work for contemporary art history and visual culture. In addition, an introduction to each volume provides a synopsis of Hausers narrative and serves as a critical guide to the text, identifying major themes, trends and arguments.

Perspectives on Medieval Art

Perspectives on Medieval Art

Perspectives on Medieval Art

"Perspectives on Medieval Art: Learning through Looking examines medieval culture from a number of different viewpoints to reveal how the art of the Middle Ages can provide a unique insight into the wider issues of medieval politics and culture. The essays also address the teaching of medieval art and architecture as well as examining society's longing for ecclesiastical drama. Contributions from leading theologians and historians variously study life and art in the Middle Ages, why the medieval period matters today and how medieval art speaks to a 21st-century audience. Scholars from different disciplines, including Thomas Cahill and Kathryn Kueny, consider individual works of art simultaneously and examine how medieval art is taught in divinity schools, university and college classrooms and museums."--Publisher's description.

Medieval Music and the Art of Memory

Medieval Music and the Art of Memory

Medieval Music and the Art of Memory

Winner of the ASCAP Deems Taylor Award and Society of Music Theory's Wallace Berry Award This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex picture of a world in which literacy and orality interacted. Asking such fundamental questions as how singers managed to memorize such an enormous amount of music and how music composed in the mind rather than in writing affected musical style, Anna Maria Busse Berger explores the impact of the art of memory on the composition and transmission of medieval music. Her fresh, innovative study shows that although writing allowed composers to work out pieces in the mind, it did not make memorization redundant but allowed for new ways to commit material to memory. Since some of the polyphonic music from the twelfth century and later was written down, scholars have long assumed that it was all composed and transmitted in written form. Our understanding of medieval music has been profoundly shaped by German philologists from the beginning of the last century who approached medieval music as if it were no different from music of the nineteenth century. But Medieval Music and the Art of Memory deftly demonstrates that the fact that a piece was written down does not necessarily mean that it was conceived and transmitted in writing. Busse Berger's new model, one that emphasizes the interplay of literate and oral composition and transmission, deepens and enriches current understandings of medieval music and opens the field for fresh interpretations.

Art of the Middle Ages

Art of the Middle Ages

Art of the Middle Ages

Presents a chronological introduction to Medieval art, including stained glass, illuminated manuscripts, mural and panel paintings, metalwork, tapestries, sculpture, and architecture.