"A novel of a Hollywood courtesan and her procurer, who rise in the film world of the 50's and early 60's. Clint the agent, and Dorothy the star, manipulate the Hollywood Godfather, Castro, JFK, an international playboy ... and one another"--Cover.
Everyone who has ever thought about writing or working in Hollywood will want to read this book. These are the personal and often outrageous adventures of a veteran screenwriter who has worked extensively for the major studios, as well as with major directors such as Richard Donner and James Cameron. There are abundant writing lessons to be learned here, but "life" lessons, as well. In fact, this story is about "getting over" Hollywood, more than just "getting into" Hollywood. Readers looking past the material or superficial (e.g., celebrity) for something more meaningful in their lives, will find this book truly uplifting. "If youre thinking of being a screenwriter, jamming all your possessions into a subcompact and driving cross-country, then it behooves you to read Carters experiences." Tim CliftonRenaissance Magazine
More than any other studio, Warner Bros. used edgy, stylistic, and brutally honest films to construct a view of America that was different from the usual buoyant Hollywood fare. The studio took seriously Harry Warner’s mandate that their films had a duty to educate and demonstrate key values of free speech, religious tolerance, and freedom of the press. This attitude was most aptly demonstrated in films produced by the studio between 1927 and 1941—a period that saw not only the arrival of sound in film but also the Great Depression, the rise of crime, and increased concern about fascism in the lead-up to World War II. In From the Headlines to Hollywood: The Birth and Boom of Warner Bros., Chris Yogerst explores how “the only studio with any guts” established the groundwork and perfected formulas for social romance dramas, along with gangster, war, espionage, and adventure films. In this book, the author discusses such films as ThePublic Enemy, Little Caesar, G-Men, The Life of Emile Zola, Angels with Dirty Faces, and Confessions of a Nazi Spy, illustrating the ways in which their plots truly were “ripped from the headlines.” While much of what has been written about Warner Bros. has focused on the plots of popular films or broad overviews of the studio’s output, this volume sets these in the larger context of the period, an era in which lighthearted fare competed with gritty realism. From the Headlines to Hollywood will appeal to readers with interests in film history, social history, politics, and entertainment.
University of California Union Catalog of Monographs Cataloged by the Nine Campuses from 1963 Through 1967 Subjects
Author: University of California (System). Institute of Library Research