Dividing Lines

Dividing Lines

Dividing Lines

Caesar (English, U. of New South Wales) argues against the centrality of Auden in the milieu of British poets during the 1930s and describes a heterogeneity of ideology, style, class origin, and life experience. He reviews the prevailing interpretations of the period, and considers a wide range of major and minor poets and the literary magazines they published in. Paper edition (unseen), $16.95. Distributed in the US by St. Martin's. Annotation copyrighted by Book News, Inc., Portland, OR

Dividing Lines

Dividing Lines

Dividing Lines

Immigration is perhaps the most enduring and elemental leitmotif of America. This book presents a study of the politics and policies it has inspired, from the founders' earliest efforts to shape American identity to the struggles over Third World immigration, noncitizen rights, and illegal aliens.

Dividing Lines Connecting Lines

Dividing Lines  Connecting Lines

Dividing Lines Connecting Lines

This publication is part of a series produced in relation to the integrated project "Responses to violence in everyday life in a democratic society", and explores the concepts of cultural heritage and European identities. It contains a number of papers which consider links between cultural heritage and frontiers, both natural frontiers and imagined ones. The book points the way to deeper research into European identity and the history of relations between the cultural communities which are Europe's greatest asset. In doing so, it challenges us to rethink our concepts of heritage, territory and identity in new regional, transnational and European terms.

Dividing Lines

Dividing Lines

Dividing Lines

Dividing Lines is one of the most extensive studies of class in nineteenth-century African American literature. Clear and engaging, this book unveils how black fiction writers represented the uneasy relationship between class differences, racial solidarity, and the quest for civil rights in black communities. By portraying complex, highly stratified communities with a growing black middle class, these authors dispelled popular notions that black Americans were uniformly poor or uncivilized. But even as the writers highlighted middle-class achievement, they worried over whether class distinctions would help or sabotage collective black protest against racial prejudice. Andreá N. Williams argues that the signs of class anxiety are embedded in postbellum fiction: from the verbal stammer or prim speech of class-conscious characters to fissures in the fiction's form. In these telling moments, authors innovatively dared to address the sensitive topic of class differences—a topic inextricably related to American civil rights and social opportunity. Williams delves into the familiar and lesser-known works of Frances E. W. Harper, Pauline Hopkins, Charles W. Chesnutt, Sutton Griggs, and Paul Laurence Dunbar, showing how these texts mediate class through discussions of labor, moral respectability, ancestry, spatial boundaries, and skin complexion. Dividing Lines also draws on reader responses—from book reviews, editorials, and letters—to show how the class anxiety expressed in African American fiction directly sparked reader concerns over the status of black Americans in the U.S. social order. Weaving literary history with compelling textual analyses, this study yields new insights about the intersection of race and class in black novels and short stories from the 1880s to 1900s.

History of West Virginia

History of West Virginia

History of West Virginia


Dividing Lines

Dividing Lines

Dividing Lines

In a definitive overview of the political cultures that existed in Montgomery, Birmingham, and Selma, the author takes a new look at the civil rights movement by comparing the social, economic, and political factors of the three cities that led the movement in the 1950s and 1960s.

Dividing Lines

Dividing Lines

Dividing Lines

India and China Ð the inheritors of two ancient civilizations and aeons of neighbourly bonds cemented by Buddhism and the bridge-building missions of Fa-Hien, Huen Tsang, Tagore and Kotnis Ð never witnessed strife between themselves till the fateful autumn of 1962, when they fought a short but bitter border war on the desolate heights of the Himalayas. Mutual suspicion and sporadic face-offs have ever since bedevilled relations between the two Asian giants, based on their still-unsettled borders. What caused the tragic estrangement of AsiaÕs leading lights? In this cogent and comprehensive analysis, the author traces the origins of the discord to a legacy flawed by the flip-flops of imperial BritainÕs unilateral border delineation, and the ebbs and flows of Chinese activism in Tibet. The gripping narrative carries us from the post-1947 scenario of initial Panchsheel bonhomie, yielding place to mutual distrust, aggravated, among other causes, by Chinese paranoia over Tibet and the unrelenting pressure of Indian public opinion. IndiaÕs cataclysmic defeat in the war, which remains a young nationÕs humiliation, is attributed to the ill-advised Ôforward policyÕ and failure of the politico-military leadership of the time, revalidating ClemenceauÕs adage, that Ôwar is too important a matter to be left to generalsÕ.

Dividing Lines

Dividing Lines

Dividing Lines

In this book, David H. Mould reveals the importance of transportation, notably the railroad, in the development of Ohio's Hocking Valley. He demonstrates how this development reflected changes in the nation as a whole and examines the political, social and cultural dimensions of this transportation revolution. Mould offers a fascinating portrait of the great changes which resulted.

Dividing Lines

Dividing Lines

Dividing Lines