I Have Seen Him in the Watchfires

I Have Seen Him in the Watchfires

I Have Seen Him in the Watchfires

The bonds linking family and the lines separating enemies have become very blurry for 17-year-old Robert. With his father away fighting for the Union, Robert must decide to act alone in order to help his ailing mother, extricate his injured Confederate Uncle, and bring relief to his cousin, Emily. When he unwittingly gets entangled in a Confederate escape plot, Robert must forge his anger and shame into a new determination to save his family. And, perhaps, he must also realize that the saving might not be entirely up to him. Honor and duty to God and country aren’t as clear-cut as he hoped them to be.

William Henry is a Fine Name I Have Seen Him in the Watchfires Set

William Henry is a Fine Name I Have Seen Him in the Watchfires Set

William Henry is a Fine Name I Have Seen Him in the Watchfires Set

This set includes William Henry is a Fine Name and I Have Seen Him in the Watchfires. In William Henry is a Fine Name, they told Robert his best friend wasn't human. Robert's father assisted the Underground Railroad. His mother adamantly opposed abolition. His best friend was a black boy named William Henry. As a nation neared its boiling point, Robert found himself in his own painful conflict. The one thing he couldn't do was nothing at all. William Henry is a coming-of-age story about a 12-year-old boy--and an entire country--that comes face to face with the evils of society, even within the walls of the church. In the safety of an uplifting friendship, he discovers the hope of a brighter day. In I Have Seen Him in the Watchfires, the bonds linking family and the lines separating enemies have become very blurry for 17-year-old Robert. With his father away fighting for the Union, Robert must decide to act alone in order to help his ailing mother, extricate his injured Confederate Uncle, and bring relief to his cousin, Emily. When he unwittingly gets entangled in a Confederate escape plot, Robert must forge his anger and shame into a new determination to save his family. And, perhaps, he must also realize that the saving might not be entirely up to him. Honor and duty to God and country aren’t as clear-cut as he hoped them to be.

A Fiery Gospel

A Fiery Gospel

A Fiery Gospel

Since its composition in Washington's Willard Hotel in 1861, Julia Ward Howe's "Battle Hymn of the Republic" has been used to make America and its wars sacred. Few Americans reflect on its violent and redemptive imagery, drawn freely from prophetic passages of the Old and New Testaments, and fewer still think about the implications of that apocalyptic language for how Americans interpret who they are and what they owe the world. In A Fiery Gospel, Richard M. Gamble describes how this camp-meeting tune, paired with Howe's evocative lyrics, became one of the most effective instruments of religious nationalism. He takes the reader back to the song's origins during the Civil War, and reveals how those political and military circumstances launched the song's incredible career in American public life. Gamble deftly considers the idea behind the song—humming the tune, reading the music for us—all while reveling in the multiplicity of meanings of and uses to which Howe's lyrics have been put. "The Battle Hymn of the Republic" has been versatile enough to match the needs of Civil Rights activists and conservative nationalists, war hawks and peaceniks, as well as Europeans and Americans. This varied career shows readers much about the shifting shape of American righteousness. Yet it is, argues Gamble, the creator of the song herself—her Abolitionist household, Unitarian theology, and Romantic and nationalist sensibilities—that is the true conductor of this most American of war songs. A Fiery Gospel depicts most vividly the surprising genealogy of "The Battle Hymn of the Republic," and its sure and certain position as a cultural piece in the uncertain amalgam that was and is American civil religion.

Parnassus

Parnassus

Parnassus


The Story of the Tunes

The Story of the Tunes

The Story of the Tunes