Joji Atone was born in Fukuoka, Japan, in 1951 and holds a Ph.D. from the University of WisconsinûMadison. Since 1992, he has been the director of Bukkyo UniversityûLos Angeles Extension. Yoko Hayashi, M.Ed., is a retired educator living in Los Angeles. The daughter of a Japanese Pure Land missionary, she was born in Hawaii, where she spent her professional career.
Examines the Buddhist-Christian encounter in six key regions including East Asia, India, Sri Lanka, Europe, North America, and China to indentify key areas of understanding and areas of needed dialogue. Original.
Folding screens, known as byôbu in Japanese, are treasures within any museum's collection and are beloved by the general public. This beautiful publication brings together the very finest screens from the world-renowned collections of the Art Institute of Chicago and the Saint Louis Art Museum. The featured works range from an extraordinary pair of landscapes by Sesson Shukei, a Zen-Buddhist monk-painter of the late 16th century, to daring contemporary works from the late 20th century. The first half of the Edo period (1615-1868) is especially well represented, with a dozen screens from the 17th century by such masters as Kano Koi and Tosa Mitsuoki. The contemporary scene is also well covered, with ten examples from the 20th century--proving the longevity of this art form and its currency among modern-day artists. Enlightening essays by important scholars in the field cover topics like the emergence of screens as an art form and a novel discussion of the relationship of Japanese screens to those made in other countries.