The Radio Eye: Cinema in the North Atlantic, 1958–1988, examines the way in which media experiments in Quebec, Newfoundland, the Faroe Islands, and the Irish-Gaelic-speaking communities of Ireland use film, video, and television to advocate for marginalized communities and often for “smaller languages.” The Radio Eye is not, however, a set of isolated case studies. Author Jerry White illustrates the degree to which these experiments are interconnected, sometimes implicitly but more often quite explicitly. Media makers in the North Atlantic during the period 1958–1988 were very aware of each other’s cultures and aspirations, and, by structuring the book in two interlocking parts, White illustrates the degree to which a common project emerged during those three decades. The book is bound together by White’s belief that these experiments are following in the idealism of Soviet silent filmmaker Dziga Vertov, who wrote about his notion of “the Radio Eye.” White also puts these experiments in the context of work by the Cuban filmmaker and theorist Julio García Espinosa and his notion of “imperfect cinema,” Jürgen Habermas and his notions of the “public sphere,” and Édourard Glissant’s ideas about “créolité” as the defining aspect of modern culture. This is a genuinely internationalist moment, and these experiments are in conversation with a wide array of thought across a number of languages.
A Bird s eye View of Radio
Author: National Radio Institute (Washington, D.C.)
At a distance of several kilometers from Serpuk hov the largest diagonal radio telescope in the world is being built. This gigantic eye will make it possible for scientists to take a look into the unexplored depths of the universe. Right now the construction of the enormous east west antenna having a length of one kilometer is being built.
Ready or not, here he comes. He plays the oldest children's game in the world, hide and seek. Only the Eye Collector plays it to death. It is the same each time. A woman's body is found with a ticking stopwatch clutched in her dead hand. A distraught father must find his child before the boy suffocates - and the killer takes his left eye. Alexander Zorbach, a washed-up cop turned journalist has reported all three of the Eye Collector's murders. But this is different. His wallet has been found next to the corpse and now he's a suspect. The Eye Collector wants Zorbach to play. Zorbach has exactly forty-five hours, seven minutes to save a little boy's life. And the countdown has started.